I'm Not Racist, I Don't Like Anyone takes its name from a familiar deflection, the phrase white people use to insulate themselves from accusations of racism while offering nothing in its place. It mistakes apathy for innocence.

The series comprises plaster tiles, each carved and embellished to represent a building or site tied to the architecture and enforcement of apartheid in South Africa. Made by someone who grew up in the shadow of what they depict, the tiles are not monuments, they are records of structures whose power has never really dissolved, only become harder to name.